I cannot say exactly when or where I first began to realize that `art’ would become my vocation. Growing up in Mirpurkhas, a remote area in Pakistan that does not have any conventional art activities associated with larger towns, I remember on my way to school seeing a sign painter that used to work in calligraphy and make portraits. Watching him at work motivated me to attempt calligraphy and make sketches on my schoolbooks. Later, as
an art student at the National College of Art, Lahore, I explored the various disciplines.
In sculpture I found what I had been searching for all along. It helped me develop my senses and increased my awareness towards the world around me. I learnt to see and feel my surroundings in an entirely new way. I found my passion.
The human form for me is the most important phenomenon of the Universe. It is a major source of inspiration in my work. Additive processes like modeling and subtractive processes like carving behave in very different ways. I enjoy working in both mediums to reveal varied forms.
For me the main sources of inspirations are Humanity, Spiritual Belief, Politics and Human Beings, especially ordinary people. I call them `Ordinary Souls’ and I am one of them so I endeavour to express their common sufferings, grief, and relationships on individual and collective levels. Exploring different Religions I tried to understand Spirituality and Sufism. In Politics I have tried to address local and global issues and the war of propaganda that has been misleading us.
Once, after visiting my studio someone asked: “What motivates you to work?” I replied, most probably the urge for self expression; as a sensitive being I feel and experience inner and outer world impressions that I share through my work. But the more I try to explore the mysterious link of the corporeal world to the ethereal world, the more my thoughts fly on delicate wings of imagination. Searching for answers, I am confronted with ever deeper,
unresolved questions. Translated into the focus of my subject as three dimensional, winged forms, I endeavor to discipline my thoughts and create order by juxtaposing them with the Thakhti, a symbol of awareness. Still my thoughts fly hither and thither, leading me into unknown dimensions, ever teasing ever intriguing.
I find wood and metal to be sympathetic mediums; they help me to enhance my quest and continue it. My carvings in wood set out to explore numerous questions arising from the changing circumstances of my life. I have no conclusions, so my work speaks of the mysteries and ambiguities faced in this process.